J. Bruyn, B. Haak, S.H. Levie, P.J.J. van Thiel, E. van de's A Corpus of Rembrandt Paintings: 1635–1642 PDF

By J. Bruyn, B. Haak, S.H. Levie, P.J.J. van Thiel, E. van de Wetering, D. Cook-Radmore, L. Peese Binkhorst-Hoffscholte, J. Vis

ISBN-10: 9400908113

ISBN-13: 9789400908116

ISBN-10: 9401068526

ISBN-13: 9789401068529

Since the second one half the final century paintings historians, understanding that just like Rembrandt’s paintings had turn into blurred with time, have tried to redefine the artist’s value either as a resource of thought to different artists and as an outstanding artist in his personal correct. on the way to stick with it the paintings began via earlier generations, a gaggle of major Dutch artwork historians from the collage and museum international joined forces within the past due Nineteen Sixties in an effort to research afresh the work frequently ascribed to the artist. The researchers got here jointly within the Rembrandt study undertaking which used to be confirmed to supply the paintings global with a brand new average reference paintings which might serve the group of artwork historians for the close by and lengthy destiny.

They tested the originals of all works attributed to Rembrandt taking complete good thing about today’s subtle strategies together with radiography, neutron activation autoradiography, dendrochronology and paint pattern research ― thereby gaining precious perception into the genesis and of the work.

The results of this meticulous examine is laid down chronologically within the following Volumes:

A Corpus of Rembrandt work, quantity I, which bargains with works from Rembrandt’s early years in Leiden(1629-1631), released in 1982.

A Corpus of Rembrandt work, quantity II, protecting his first years in Amsterdam (1631-1634), released in 1986.

THIS quantity: A Corpus of Rembrandt work, quantity III, is going into his later years of acceptance (1635-1642), released in 1990.

Each quantity involves a couple of Introductory Chapters in addition to the total Catalogue of all work from the given period of time attributed to Rembrandt. during this catalogue each one portray is mentioned and tested in a close means, comprising a descriptive, an interpretative and a documentary part. For the authenticity evaluate of the work 3 various different types are used to divide the works in:

A. work by way of Rembrandt,
B. work of which Rembrandt’s authorship can't be absolutely both authorised or rejected, and
C. work of which Rembrandt’s authorship can't be permitted.

This quantity (Volume III) comprises 820 pages, beginning of with 3 introductory chapters and discussing 86 work. In transparent and available explanatory textual content all diversified work are mentioned, larded with immaculate pictures of every portray. info are proven the place attainable, in addition to the result of modern-day technical imaging. during this quantity very important work together with the evening Watch are discussed.

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Bauch A 31. See also the next note. The 1656 inventory (Strauss Doc. , 1656/12) twice mentions a DeJcentjrom the CrOJJ (nos. 37 and 293) and once a ReJurrection (no. "3), as well as a Circumcision and a Scourging expressly described as copies (nos. 92 and 302). A Circumcision was in the colI. Isaac van der Blooken sale, Amsterdam 11 May 1707 (Lugt 205) as an original Rembrandt together with an Entombment, as nos. 1 and 2 respectively. These paintings are probably identical with two copies now in Braunschweig (cat.

The 1656 inventory (Strauss Doc. , 1656/12) twice mentions a DeJcentjrom the CrOJJ (nos. 37 and 293) and once a ReJurrection (no. "3), as well as a Circumcision and a Scourging expressly described as copies (nos. 92 and 302). A Circumcision was in the colI. Isaac van der Blooken sale, Amsterdam 11 May 1707 (Lugt 205) as an original Rembrandt together with an Entombment, as nos. 1 and 2 respectively. These paintings are probably identical with two copies now in Braunschweig (cat. nos. 241 and 240), which were listed in the ducal collection at Salzdahlum from 1710 on.

1656/12) twice mentions a DeJcentjrom the CrOJJ (nos. 37 and 293) and once a ReJurrection (no. "3), as well as a Circumcision and a Scourging expressly described as copies (nos. 92 and 302). A Circumcision was in the colI. Isaac van der Blooken sale, Amsterdam 11 May 1707 (Lugt 205) as an original Rembrandt together with an Entombment, as nos. 1 and 2 respectively. These paintings are probably identical with two copies now in Braunschweig (cat. nos. 241 and 240), which were listed in the ducal collection at Salzdahlum from 1710 on.

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A Corpus of Rembrandt Paintings: 1635–1642 by J. Bruyn, B. Haak, S.H. Levie, P.J.J. van Thiel, E. van de Wetering, D. Cook-Radmore, L. Peese Binkhorst-Hoffscholte, J. Vis


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